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Pyramid Audio Combines Analog and Digital at Jazzfest

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NEW ORLEANS — The Fais Do Do stage at New Orleans’ legendary JazzFest represents the best of local music from Zydeco and Cajun-influenced styles to all the different blues and R&B forms that make up the city’s music scene. Pyramid Audio of Jefferson, La., has been doing production for Fais Do Do and other stages at JazzFest over the years. Eddie Pearce, chief audio and FOH mixing engineer was looking for equipment that could enhance the audio quality yet operate as efficiently as possible. 

“We chose the APB Spectra 48 console because one of the local bands I work had used the smaller ProRack Monitor mixer and it had very unique features and the sound of a very expensive large format console without the high price,” he says. “I was also impressed by the sonic nature of that console.

”When it came time do JazzFest, I worked out a situation where we could try out the larger format Spectra 48 console and we took it on sight unseen because of the quality of the ProRack. It worked incredibly well and made mixing in that environment fun because I got to mix music, I wasn't mixing the board. Plus, I loved the sonic quality of the console. It was extremely easy to work with, very intuitive, with some interesting features in terms of how they group left-right mono outputs.
”As far as the shows were concerned, everything worked perfectly in the sense that I'm normally used to tweaking out the main PA system to make up for inconsistencies in a console and I was able to re-tweak the FOH system a bit more flat without having to make up for harshness or inconsistency in the sonic output.”
 
Given his use of an analog console, Pearce’s choice of Powersoft’s digital amplification system for the subwoofers was an interesting departure. Asked how he came to this choice, Pearce typically explains, “We had a relationship with Tom Bensen for years in terms of other companies and everyone at Pyramid respects his opinion and knowledge. I started out with two amplifiers on each side just to power the subs. Then he convinced me to use the Powersoft K20 and that one amplifier replaced four 5000-watt amplifiers.”
 
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For more information, please visit www.apb-dynasonics.com