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Dynacord Xa System

Dynacord Xa System

When I first reviewed the Dynacord Cobra Speaker System, the product literally fit the definition of the European over-designed "Uber-system" with a price tag to match. While many Cobra systems were sold, a number of potential customers could not make the investment, even with its plug and play abilities. So the Dynacord Xa Speaker now comes along to address the market's desire for a cost-sensitive, plug and play speaker system at home with corporate gigs, DJ-work, and live music performances.

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Midas XL8

"Digital Goes Midas." No, I didn't coin this phrase (nor did I have anything to do with the Matrixlike magazine ad). The phrase is the promotional tag Midas (Telex, Klark Teknik) hung on their new digital mixing console. I would have said "Midas puts the analog in digital." However, I am not an ad guy; I am simply a writer for FOH who found himself an invited guest of the Midas folks to witness the unveiling of XL8 digital desk.

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RSS S-4000 Digital Snake System

Anyone who does one-off or touring gigs has been there. It's late, it's been a long day and you have hundreds of feet of heavy snake to drag and coil into a box, which then weighs a ton, and you have to push it around to get it into the truck. Sometimes, if you are really lucky, the truck has no lift, so you get to muscle it up a ramp. It's one reason why we have been watching the development of digital snakes that transmit over fiber or CAT5 and fit in a case that you can carry onto an airplane without a sideways glance from the flight attendant.

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On the Bleeding Edge

It's really wonderful how the quality of sound reinforcement gear has progressed over the past few years. Last week, I mixed a show at the House of Blues in Atlantic City where the installed system is based around a JBL VerTec rig with enough horsepower to blow-dry your sister's hair, a 56-input Yamaha PM5000 console and some serious processing at FOH, a Midas monitor desk and Clair Brothers stage wedges. The house crew was great, both in terms of their technical ability and their hospitality.

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Audio-Technica ATH-PRO700 SV Headphones, Mackie TT24 Digital Live Console and SLS Audio PLS8695 Powe

Audio-Technica ATH-PRO700 SV Headphones

By Rob Orlinick

Last week, I was given the task of dubbing some appropriate walk-in music for some upcoming shows (don't ask!). After setting up a dubbing station, I grabbed a set of headphones that were sitting out in the office.

On the first disc was some old Motown stuff. When I slipped on the cans, there were parts in the arrangement I had never noticed before in the thousand or so times I heard the number–a secondary rhythm guitar part, percussion fills–that caused me to stop and listen to the entire track! The next disc was a 1970s R&B compilation. The same thing happened–details in the music came out. Reverb tails on the vocals, harmonics on the strings and more. I asked the company owner what the deal was with these headphones. When he told me they were here for evaluation, I immediately volunteered.

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Regional Slants: A Little Guy in the Land of Giants

So, is this what it means to go from anklebiter to regional guy? I mean, I have received the odd invite to industry events before, but never anything on this level. Every year, the Harman Pro Group hosts a three-day event for their dealers, select soundcos and press people where they get an in-depth look into the technology and marketing plans for Harman's current crop of gear. (For the record, the actual title was the Harman Professional 2006 Global Business and Technology Conference. Harman Camp is shorter.) And all of this just prior to the Winter NAMM show.

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On the Bleeding Edge

I have such warm memories of my first audio spectrum analyzer. It was in a box the size of a small television–a tube television, that is. The screen of the analyzer was a matrix of red LEDs that turned on or off to indicate signal level at 1/3-octave frequencies across the spectrum. It worked very well and was easy to read in dark clubs, though it wasn't very useful in daylight. I guess you could say it was portable because it came with a small carrying case for transport, but it weighed about the same as I did in those days. It ran strictly on 120 volts AC and employed a separate measurement microphone that connected via XLR cable. I wonder if those warm fuzzy feelings came from the heat that thing threw off the top of the rack…

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Klark Teknik Square ONE GEQ and Dynamics, Shure UR2/KSM9 and UR4 Wireless Vocal Mic and Receiver and

Klark Teknik Square ONE GEQ and Dynamics

By Mark Amundson

Sporting three rack spaces and purple epoxy on the front and rear panels, the Klark Teknik Square One series of products takes the essence of KT signal processing excellence to a mid-market category of customers. I am going spoil the ending for you slightly by saying that both the Square One GEQ and eight-channel Dynamic Processor units are worthy in any application from touring outboard to garage band rehearsal rig.

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Winter NAMM 2006

FOH was well represented at Winter NAMM with as many as six of us on the floor at times (OK, that six includes the ad folks, but ours are not weasels, so we can include them). While there was nothing really earth-shattering, there was some cool stuff, and some of it in unexpected places. Each of us had our favorites, but a couple of things caught everyone's eye. I have yet to talk to a soundguy at any level from regional on down who wasn't jazzed by the Peavey Distro, and their line array created quite a buzz as well. A couple of us saw some not-yet-released EV stuff that we can't talk about without an automatic contract going out on all of us and our families, but it will be worth talking about eventually.

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Regional Slants: Guest Engineers: Their Toys…and Their Riders!

A little history about HAS Productions: I started this company about 10 years ago as a "small club/anklebiter"-size house. As time progressed, I realized what a gear whore I was! I wanted bigger, better toys, and with that, you need bigger, better gigs to pay for them. At this point, this seems to be a FULL-TIME TREND! Every time you get that next toy, you need another.

But with all of that, in the beginning, the issue of a guest engineer never came up, or it was never an issue.

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Mid-Market Digital Consoles

Call it a testament to just how much mind-share has been gained by makers of digital consoles for live use, but this is the third time in 25 months that FOH has done a product gallery dedicated to this slice of the market. The first one in Jan. 2004 featured 14 models from six companies, and the prices ranged from less than $5,000 to nearly a quarter of a million dollars to "if you have to ask, you can't afford it."

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Yamaha M7CL Digital Mixing Console, ISP Technologies GSL12 Mongoose Speaker System, Lectrosonics R40

The Yamaha M7CL Digital Mixing Console

By Paul Overson

Have you ever fallen in love with a piece of gear to the point where you would want to marry it? This didn't quite happen (good thing, because it is probably illegal in most states…), but we did love the Yamaha M7CL enough to want to buy it. It is the fastest, most versatile and user-friendly and has the best value of any digital console we've used to date.

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