Larkin Poe recently performed at Telefunken’s soundstage, with a full range of the company’s microphones. The band launches their 2023 international tour this month utilizing Telefunken Dynamic and Small Diaphragm Series microphones.
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Editor George Petersen reviews the new issue, which includes an inside look at The Mavericks 2023 Tour; a chat with sound designer Brian Ronan about the Broadway musical Some Like It Hot; profiles on reader choices for North America’s Top Regional Sound Companies; an Installation Focus on new church sound systems; a Buyers Guide to mid-sized line array speakers (dual-8” and dual-10”); and Road Test reviews of the Neumann MCM (Miniature Clip Mic) instrument microphone, Austrian Audio’s HI-X60 reference headphones, and Gator Frameworks ID Series Speaker Stands.
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Click below for a video overview of Meyer Sound’s new 2100-LFC Single-21” subwoofer.
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Sennheiser’s new EW-DX digital wireless system solution is scalable, reliable and easy to set up / install.
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Lars Reime of HK Audio reviews the features of the LINEAR 9, the successor to the company’s popular LINEAR 5 series.
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Editor George Petersen reviews the new issue, with insider details of the Top-10 Tours of 2022; mixing Slander’s 2022-2023 tour; a spotlight on Japanese/British singer-songwriter Rina Sawayama’s “Hold the Girl” tour; a focus on recent immersive audio venue installs; a review of sE Electronics new sE4400 condenser microphone; pro tips for better wireless; a Buyer’s Guide to Custom In-Ear Monitor earpieces; and more for the live sound reinforcement professional.
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IEM innovator Jerry Harvey of JH Audio talks about partnering with DPA Microphones and Lectrosonics to take his company’s new Ambient IEM system to a new level of sound quality and performance.
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Here’s a look at RCF’s new AX Series, with features including a Class-D amplifier, Bluetooth streaming/pairing, iOS and Android remote control and more.
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Waves Audio’s “BB Tubes” plug-in lets users create huge-sounding tube saturation designed to make any vocal or instrument jump out of the speakers by simply adjusting its “Beauty” and “Beast” controls, for the ability to attain delicate to aggressive analog brilliance on drums, vocals, guitars, bass, synths, mix bus and more.
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Editor George Petersen previews the new issue; check out the December issue of FRONT of HOUSE, at www.fohonline.com.
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The Black Keys’ front of house audio mixing engineer Jason Tarulli and sound systems engineer Ben Smith talk about their experiences using Adamson Systems Engineering’s line array speakers and subwoofers for professional large-scale concert sound reinforcement.
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Yorkville Sound’s EXM Mobile Sub portable subwoofer delivers 175 peak watts of bass from a rugged and reliable 30-pound package that runs 5.5 hours from its onboard rechargeable lithium-ion battery.
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