BATON ROUGE, LA – PreSonus is now shipping Studio One 2.6, a significant upgrade to the company’s award-winning digital audio workstation software for Mac and Windows that adds groundbreaking integration with PreSonus StudioLive AI-series mixers, Nimbit, and SoundCloud and more than 50 other improvements and workflow enhancements.
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Solid State Logic says its MADI Dante Bridge, featured at IBC 2013 (Hall 8, Stand D.83), is the first broadcast specification bridge linking the MADI audio format and Dante IP Audio Networks.
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PreSonus’ new StudioLive AI hardware/software digital mixing and recording systems each feature Active Integration technology. StudioLive AI-series mixers are designed to retain the same surface-driven functionality that StudioLive mixers are known for, while adding more processing power, enhanced workflow features, and Active Integration technology. Like the original StudioLive series, they are also designed to be intuitive and easy to learn and use.
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Mega Systems is now distributing Biema’s MAX series, including the MAX 12 (pictured here), MAX 15, MAX 215 and MAX 18. The MAX 12 and 15 offer LF woofer/HF compression drivers measuring 12/1.77 and 15/2.06 inches, respectively. The MAX 215 doubles the number of woofers found in the MAX 15. The MAX 18 has a single 18-inch low frequency woofer that produces sub base frequencies. All can be mounted vertically or horizontally for permanent installations. The MAX 12, MAX 15 and MAX 215 also can be used as a monitor and are pole-mountable. The MAX 18 can be flipped on its side and has pole cups for both positions.
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RCF’s NXL 24-A is a full range active column speaker array system with 4 x 6” high power woofers and a 2.5” voice coil compression driver loaded from a waveguide on a 100° x 30° constant directivity horn. The amplifier delivers 1400 watts and is controlled by a DSP for crossover, equalization, phase alignment, soft limiting and speaker protections. Equalizations are available to operate with a single column or in pairs.
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Radial Engineering’s USB-Pro is a high-resolution stereo direct box designed to convert sound files from a laptop computer and seamlessly transfer them to a pair of balanced audio outputs to feed a PA, recording or broadcast mixing console.
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RCF’s HD 32-A uses a titanium dome, 3.0” voice coil compression driver for vocal clarity and sound projection. The 12” woofer promises an extremely linear response and a precise, deep low frequency control. With powerCON In/Out connectors, it is well suited for use by rental companies in small-PA FOH and high power monitor applications.
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The G-TOUR SIEXP series of cases from Gator Cases are designed to transport Soundcraft’s Si Expression series, including the console-maker’s 16, 24 and 32 channel boards.
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Telefunken Elektroakustik adds two new dynamics for instrumental and vocal miking. The new “Shorty” compact M80-SH provides the bright, open sound of the standard M80, while the new low profile “Shorty” M81-SH produces the darker, richer tones of the M81. These alternative lower profile versions with built in mic clips are ideal for tight applications where a lower profile microphone with right angle XLR cable is preferable. Both have a $249 MSRP and include a 5-meter XLR cable with a right-angle female connector.
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RF Venue offers a range of accessories to optimize the performance of any pro wireless system. The CP Beam™ antenna (left in photo) is a circularly polarized beam antenna designed for long range operation with wireless microphone systems, IEMs and other UHF devices from 468 to 740 MHz and 950 MHz. The RF Spotlight,™ a 19-inch diameter hemispherical antenna, is designed to be used on a floor in conjunction with wireless mics, IEMs, IFB or other 468 to 740 MHz units. The Diversity Fin™ antenna, intended for use with wireless 468 to 740 MHz UHF receivers, incorporates dual branch diversity reception and makes use of orthogonal, directional LPDA and bidirectional dipole elements for improved performance.
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Designed for portable use, the GK-SFA combines Polar Focus’ XY Grid system and the aiming of its Spine Frame Adapter to let users precisely aim their line array from a Genie (or similar) tower. The Spine Frame Adapter (lower half of assembly) provides infinitely adjustable tilt control to any line array that uses the common front-to-back “spine” support frame. The line array tilt is adjustable under full load with a 9/16-inch wrench, and can be locked down. The pan angle of the line array is controlled and adjusted by a heavy-duty friction bearing. The working load limit is 637 to 1,000 pounds depending on the arm separation spacing.
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Offering powerful audio processing/control for a wide range of applications, Claro provides 12 balanced inputs, each mic or line configurable (including phantom power) and four line outputs. Inputs/outputs are on Phoenix Euroblock connectors. The rear panel has 12 GPIO’s, RS-485 and RS-232 connections and multiple Ethernet ports for interconnects/control. A complete range of DSP mixing, routing and processing functions — such as EQ, filters, delays, compressor/limiters, AEC, meters and test signal generators — are accessible/controllable via an external GUI. Up to four Claro frames can interconnect for up to 48 inputs/16 outputs.
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