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Tech Feature

The movement of iron filings around magnetic poles is one of the most common examples that can show the “invisible” effect of magnetic fields.

Magnetism and Neodymium

Loudspeaker drivers, switch mode power supplies, chain motors, dynamic microphones, throne shakers, disk drives and step-down transformers. What ties these pro audio staples together? The answer is magnetism. Magnetism, magnetic behavior, and magnets are everywhere in professional audio. If one needs to control electricity or drive physical motion using electricity, magnetism is almost always involved.

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A Pocket Guide to Energy

A Pocket Guide to Energy

Energy is integral to every aspect of life, including professional audio. Energy also has a swirling tornado of political, economic, and environmental considerations that kick up quite a cloud of confusion when trying to make sense of how to think about this important topic. For this month’s column, I have the ambitious goal of conveying an engineer’s perspective on the myriad details surrounding the production and use of energy. My hope is that, by touching broadly on a number of different disciplines, FRONT of HOUSE readers will gain a clearer perspective about the big picture surrounding the present and future of energy.

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A simple capacitor is two conducting plates parallel to each other separated by an empty space in between. Because of how the universe is built, an electric field can pass between the two plates.

Capacitors and Change

Sound is fundamentally about change. Changes in pressure on the eardrum lead to bone movement in the inner ear that triggers changes in neurons that cause the brain to perceive sound. And for pro audio, the initial change in air pressure results from a loudspeaker whose physical movement caused the change in pressure.

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Response variance as an omnidirectional mic is rotated in 45° steps.

Using Measurement Microphones

Sometimes, Placement is Everything

Some of the most common questions I’m asked when teaching the Smaart measurement software classes for Rational Acoustics concern microphone placement. Among these are: “Where do I put my mic to get a useful measurement,” “does the position/aim of the mic matter,” and “how many measurement positions do I need?” When you think about it, it’s an interesting proposition to assume we can make a useful measurement of complex electro-acoustical systems loaded into a performance space having a volume in the thousands of cubic meters and have the result somehow summed up at tiny microphone capsule points in space.

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Fundamentals of Conductivity

Fundamentals of Conductivity

When studying engineering in university, the first few terms learned are similar for everyone — regardless of their eventual specialization into a different type of engineering. In the same way, there are certain topics that are elemental building blocks everyone in the audio and event production industry should be familiar with. At present we’ll look at conductivity, the electronic lifeblood behind our industry. Without electricity, and conductors to direct it, there would be no professional audio!

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Fig 1: Cross section of a modern compression driver — in this case, a JBL 475ND used in its high-end consumer K2 system, but essentially similar to the pro 2450H model.

Performance, Precision and Money: Compression Drivers Exposed

While big subwoofers tend to get the attention of both sound companies and audiences, the compression driver keeps its intricacies hidden from view, as shown in Fig. 1. This month, we’ll tease out some of the components within compression drivers and help explain why these small devices are every bit as complex — and often more expensive — than their booming big brothers. Along the way, we’ll talk a little bit about how the way something is made influences the cost of production.

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A roll of "60/40" (tin/lead alloy) solder

RoHS and Pro Audio

Previously in FRONT of HOUSE, we discussed some of the complications behind getting product certified — such as UL — for safety or electromagnetic emissions. That topic quickly devolves into alphabet soup, and can become rather expensive headache for companies designing product. It also drives tradeoffs beyond those involving the raw performance of a product.

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The Underwriter Laboratories' main headquarters in Northbrook, IL

Certifications and Product Engineering

When new audio gear arrives, the box is opened, the manual briefly scanned, but then many people just start making noise. Even the most meticulous reader of manuals will typically skip the preamble and “declaration of conformity” pages at the front of the manual. Yet locked within these pages are much of the blood, sweat and engineering tears shed during the design of your favorite pro audio products.

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A Guide to Setting Up Your Own Private Wireless Network

Wi-Fi Console Control Made Easy!

How to Set Up Your Own Private Wireless Network

The majority of digital console manufacturers offer one or more ways to control your console remotely. In some cases, this can be done from a laptop running an offline/online editor, and in other cases, it can be done from a tablet or smartphone application.

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Fig. 1: Location of some affected frequencies in the 600 MHz band. Upper bands indicate the current TV band. The lower section shows a simplified version of a possible repacking scheme

FCC and the Future of Wireless Audio: What’s Going On?

To say that the now-murky future of wireless audio for pro applications is somewhat clouded is somewhat of an understatement. With constantly changing Federal Communications Commission rulings, proceedings and a constant barrage of legalese of every type, what seemed clear yesterday is a completely different picture today. And at risk are not just frequency bands for RF microphones, but also those used on wireless rigs for musical instruments, in-ear monitors, production intercoms and now even systems such as Alto Professional’s Stealth series and AirNetix AiRocks Pro, designed to wirelessly transmit console feeds to mains or delay towers.

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Fig. 1 Force factor BI (X)

Klippel Plots: Going Beyond the Thiele-Small Parameters

With the apparent ease of predicting vented loudspeaker response, it is tempting to blindly follow the software and assume that the curve on the screen is representative of what the loudspeaker will produce at any volume level. But the reality of loudspeaker performance is more complicated than is indicated from some piece of software found on the Internet.

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Fig. 1 and Fig. 1

Revisiting Subwoofer Design and Thiele-Small Parameters

Subwoofers are arguably the most popular and fun topic in all of pro audio. The majority of low frequency sound reproduction is from vented loudspeaker enclosures, which is to say loudspeakers that have a port in the enclosure. The vented subwoofer loudspeaker enclosure makes a great entry point into the world of building loudspeaker enclosures. Building a box, wiring it up and then hearing the beast rumble to life is an extremely rewarding experience.

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