Sound Sanctuary

For the last few months or so, I have been writing to you about installing worship sound systems, dealing with the various personalities and hierarchy of church politics and government and getting paid for your efforts. However, in the last month I have been asked to improve the acoustics of two very different worship spaces. The first one is at a Christian camp in the San Bernardino Mountains of California known as Camp Cedar Crest. This camp has a large central auditorium that is used for a variety of worship music and speaking events. The second is located in the basement of a small church in Newport Beach, Calif. that is currently being used for storage. The church would like to turn the space into a youth area where programmed and live music could be played. The fact of the matter is I very rarely get a call to treat the acoustics of a room, and to have two calls in one month is really a phenomenon. I have no difficulty walking into a room and hearing that the acoustics suck. Or entering a sanctuary that has just heavenly acoustics. The challenge is to get from suck to heaven. Obviously I am willing to have a go at it.

As we get into the new year, most of us are planning how we can make 2007 more financially profitable than 2006. Now don't get me wrong. I really, really enjoy making good sound, regardless of how much money I make. However, money does make life more satisfying (especially getting the bills paid on time). So, I want to make great sound and get paid buckets of money for it.

This leads me to the subject that I will be discussing during this installment. This is a subject that I am definitely uncomfortable with, but it needs to be discussed. The question is: What do you do when that house of worship that you worked so hard on, or that religious organization for whom you (and your crew) set up a sound system for their big revival or awards event, doesn't pay you? If this happens with a secular organization, individual or producer, I make the appropriate phone calls, have my attorney send a letter and ultimately go to court to get my cash. But when you add God to the mix, the dynamics change for me. I'll let you in on what may seem obvious. I work in the worship sound biz because I believe in a God and I believe that God wants me to do this work. In other words, I am very sympathetic to the mission that many of these religious groups have. So when I get stiffed for a worship gig, it puts a different spin on the whole job.

Generally speaking, when we think of house of worship installs, we envision FOH speakers, monitors, outboard gear, mics and a mixing console. That is obviously a very simplistic vision, but it does cover the basics. Well, a short time ago I discovered the "other buildings." Just about every church, temple, synagogue, etc., has additional multi-use buildings at the same location.

I got a call to give a bid on a portable sound system for the youth house of a church in Glendora, Calif. This building was a former home that the church had purchased and set up for the youth of their congregation. The youth pastor wanted a small system to be set up in the living room area with additional speakers to be installed out in the patio area. He also wanted this system to be portable so that, for various events, it could be set up out in the back yard of the house. However, the main use of this system was to provide programmed music for the youth who visited and volunteered at the house.

Hey, friends, if you are reading this article because you missed church last Sunday, you've come to the wrong place. Even though I attend church regularly, I cannot offer any absolution for your sins. However, if you want to create better sound at your home church or get some valuable insight into the mechanics of house of worship installations, you're talking to the right guy.

In this particular issue we will be looking at personal monitors (a descriptive term for monitoring headphones that fit inside the ear canal) for the worship team (that would be a descriptive term for the musicians/singers that lead the congregation in worship songs). There are a variety of PM products available on the market, and certainly PMs are by no means new phenomena. So I am not going to explore the different manufacturers or the pros and cons of wired versus wireless systems. You get out there and do your homework on what products will serve your particular client, and I will try to add some insight to the rest of the process.

I am certainly not attempting to be blasphemous with the title of this piece. If anything, I just want to add a little levity to the very serious task of getting a realistic budget when delving into a house of worship sound project. If you read my last piece (and I hope you have), I described my modus operandi for approaching worship sound. I'll give you the Reader's Digest version.

First, I talk with the musical director and the pastor, priest, rabbi, etc. Then I go to a service and listen. Next, I get into the sanctuary and crank up the existing system. After that, I simply offer my recommendations. Let me make a quick point here. I belong to a church and believe in a God. It is a fact that many churches believe that the money they collect from their members is God's money. Keep this in the back of your mind when you are making your pitch. It's also a good idea to visit some of your local houses of worship just to listen to the systems.

I love gadgets, buttons, knobs, faders, attenuators, meters and especially anything with blue LEDs on the front panel. What I never did enjoy was looking at a gaggle of wires behind the rack or actually ever having to move a rack full of stuff.

I understand the "need" for the confident and knowledgeable FOH person to have as much outboard gear as possible. All praise the elevated audio budget! But at some point, a 6-foot rack of processing for the fixed part of a fixed house system (or small portable system) just doesn't make sense anymore.

I recently had a quite civil discussion regarding the benefits (or not) of powered vs. unpowered speakers. With the quality, dependability and light weight of amps these days, there are some definitely positive factors to consider when debating this issue. There is no way I could cover the whole debate here, so here are just a few things to think about:

Can You Fix It?

As an installer, we always consider field repair, troubleshooting and possible future upgrade.

It's a New Year and it might be time to rethink what's in your rack. There is something always exciting about cleaning out an old closet, giving away what you don't really need and finding a whole lot of space. The same can be done with that audio rack!

I think you'll see that if you are tired of overprocessing and getting poor results, it might be time to go digital. There are exceptions to every case, and I don't deny that an extra piece of outboard gear at FOH can be handy for the experienced technician. What I am talking about is a paradigm shift in technology and equipment management, not the odd "what if…?" situation.

No, it's not what you think. What we're talking about is getting a controlled drum beat we can mix with the rest of the worship band.

It's no secret that many church music programs have been incorporating more aggressive/contemporary live music into some–if not all–of their services over the past several years. While the amplified guitars, bass, keyboards and drums help add energy and passion to a service, many organizations are now fighting a new problem: The problem of overpowering sound levels, with acoustic drums seeming to be the main culprit.

There are certainly plenty of times when clients behave badly, when products don't ship on time, technicians have fights with their spouses and disappear for three days, when electrical contractors forget about those last 40 circuits–and we have all been there. But once in a while, the clouds part and the sun shines through and God's grace touches a project. This happens now and then…. even at churches.