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Installations

The Joan Sutherland Theatre at the Sydney Opera House in Sydney, Australia. Photo by Daniel Boud

Inside Six Recent Theater/Performing Arts Center Projects

The upgrading and facility enhancement of theater and performing arts spaces continue on an upward spiral, whether in converted environments, new construction and refurbishment of existing venues. With that in mind, we present these recent installation projects. Each takes a different approach, proving there are numerous solutions to any audio challenge — large or small — for any performing space, either new or historic.

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The exterior. Photo by Louise Leblanc

Grand Théâtre de Québec

The Grand Théâtre de Québec is a world-class performing arts complex that is the crowning jewel of downtown Quebec City. Designed by Polish-Canadian architect Victor Prus, the facility was originally proposed to commemorate the Canadian Centennial of 1967, although due to various delays, the venue did not open until January 16, 1971.

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FRONT of HOUSE Feb 2018 Installation Showcase - Churches

Houses of Worship

There is no doubt that transforming a “typical” house of worship setting into high performance venue is no easy task. Part of this stems from the fact that in reality, there are no “typical” spaces used for such purposes. These can range from storefront conversions to elaborate architectural designs, and acoustical characteristics are rarely part of the original plan.

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The upgrade took place at the megachurch’s main Lake Forest, CA location. Photos by Jake Henricksen.

Saddleback Church

Sound Image Helps Upgrade System, Acoustic Elements

The systems integration division is a well-kept secret,” says Larry Italia, VP integration division. “We are well known for our concert projects, but lesser known is the amount and size of our installation work.” Just this year Sound Image has worked on the John Anson Ford Amphitheatre in Hollywood, the Newel and Jean Daines Concert Hall at Utah State University in Logan, UT, Rady Children’s Hospital in San Diego and Arizona State University’s Sun Devil Stadium in Tempe, AZ. However, Italia adds, “the number one vertical market for us is the house of worship market.”

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For the Palace Theatre in St. Paul, MN, Allied Productions and Sales worked with Randy Hawkins, the venue's head audio engineer, on a new system that includes L-Acoustics K2 components.

Recent Theater/Performing Arts Center Projects

FRONT of HOUSE profiles four unique venues, each with their own audio reinforcement needs. There’s the Palace Theatre in St. Paul, MN, a former vaudeville and cinema mecca saved from the wrecking ball and converted for use as a live music venue, and then there’s the Vietnam National Puppetry Theatre, where puppeteers wade behind a curtain in waist-deep water. We also profile the Queen’s Theatre in Hornchurch, Havering, London, which is making the switch from analog mixing to digital, and how acoustic treatments are optimizing the acoustics for different performances within the Mahaffey Theater in St. Petersburg, FL.

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The venue has been part of Nashville’s Gulch district since 1984.

Nightclub Focus: Twelfth & Porter

After a One-Year Hiatus, 12th & Porter Returns to Nashville’s Live Music Scene By Thomas S.FriedmanI

n February 2015, when 12th & Porter’s previous owners announced that their storied venue was about to close, the local newspapers went into full obituary mode, lamenting the loss of a venue that helped put artists like Keith Urban, Sugarland and Dierks Bentley into the public eye (and ear).

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Hilton Presbyterian Church, Newport News, VA

Spotlight: Houses of Worship

The only constant behind optimizing the sound for a house of worship project is change. Along with the shift from traditional church music to something more akin to a rock concert, church congregations are moving into unorthodox locations, and traditional churches are reaching out with mobile satellite services in gyms and other non-traditional locations. With sound designers and audio integrators scrambling over an obstacle course of potential compromises to the goal of an ideal listening experience for every seat in the house of worship, those manufacturers who can provide gear to meet their “mission impossible” challenges for any space have a decisive advantage.

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The venue, now run by local brewpub company McMenamins, was originally built as a ballroom in 1914.

Crystal Ballroom in Portland, OR: Natural Sound for a Loud Rock Venue

Portland, Oregon’s Crystal Ballroom has enjoyed a storied existence since opening on the eve of World War I as Ringler’s Cotillion Hall. A live music venue since the 1960’s, when artists such as the Grateful Dead, Ike & Tina Turner and Buffalo Springfield performed, the historic building is starting a new chapter with a major audio equipment refresh, courtesy of design, sales and integration company Tone Proper AV, located in nearby Gresham, OR.

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Despite the venue’s size, the stage is large and wide.

Recovery Unplugged

Austin Performance Space Uses Music Therapy for Detox

The Recovery Unplugged Treatment Center uses the power of music to help its patients heal from drug and alcohol addiction. Offering medically supervised detox, residential inpatient treatment, outpatient treatment, and sober living, Recovery Unplugged offers a music-based treatment approach that provides patients with access to a well-rounded recovery experience.

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