Buyer’s Guide

A couple years ago, this category didn’t exist at all. However, the notion of a rack-mount unit that’s remotely controlled via Wi-Fi (iOS and/or Android)… Read More »Tablet-Controlled Rack-Mount Digital Mixers

Big sounds can come in small packages, as evidenced by the products in this month’s Buyers Guide, focused on compact line array systems having LF… Read More »Mini-Size Line Array Systems

If sound is your business, then you’re aware that “stuff” happens. And when gear is moved, it is occasionally subject to rough handling. Here, a good case can make the difference between a show going on or being cancelled. Today, there are hundreds of companies building transport cases and we’ve presented a selection of them. Note that many companies also provide custom foam cutting and most have case templates for common equipment, so a “custom” design for your piece of gear may be fairly simple. And if you want custom colors or graphics, many companies can accommodate your request.

In terms of big sound with plenty of impact, double-18 subwoofers are the standard of the industry. Certainly, other variants can do the job, ranging… Read More »Self-Powered Double 18 Subwoofers

Sometimes size matters, especially when it comes to the really big shows. We checked out some large format digital consoles and found models to fit nearly anyone’s needs, especially if your channel requirements hover in the near-100 (or more) range. And in this rarefied world of large boards, customization is key, as these big guns typically come with a long list of user-selectable options and choices, making exact price comparisons difficult, unless you configure each model for your particular specific application. But when you’re ready to go large, these are just the first-class ticket.

Originally designed for studios, channel strips — in this case, single-channel units offering a mic preamp, EQ, dynamics (and sometime more) — have become popular… Read More »High-End Channel Strips

The concept of the column array speaker has evolved significantly since the days when the standard was set by a pair of Shure VocalMaster columns… Read More »Column Array Speakers

In live performance, in-ear monitoring has changed everything. A rock-solid wireless transmitter combined with beltpack IEM receivers and accurate earpieces can significantly improve nearly any show or presentation. Not only can performers hear themselves far better than stage wedge mixes, but IEM use typically results in lowered stage volume. With a great IEM mix, the FOH engineer’s task becomes simpler, the audience get better sound and artists are happy — everybody wins.

While it’s true that large-format, 12- and 15-inch line arrays grab most of the attention among pro audio users, the “little guy” mid-sized boxes are the workhorses of the industry. This month, we turn our attention to line arrays based around double 8-inch and double 10-inch woofers, which are more compact than their 12-inch cousins and larger than the “mini” 4- to 6-inch enclosures. Yet, for a majority of applications, these 8-inch wonders are often “just right” — whether for smaller gigs, club/theater/H.O.W. installs or used as front/down-fills, under-balcony reinforcement, delay lines — the list goes on and on.