ABILENE, TX — The Paramount Theatre in downtown Abilene, Tex., a monument to an earlier time of movie palaces and vaudeville performance, now offers a new sound reinforcement system highlighted by EAW KF730 compact line arrays as well as JF50S two-way loudspeakers and SM200iH stage monitors and designed and installed by Gemini Sound of Dallas.
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HK Audio introduces a new tool to calculate key sound reinforcement formulas.
Read More »LAS VEGAS — Hi-Tech Rental & Staging, a provider of audio, video, lighting and computer equipment and event staging expertise, announces the opening of operations and its 27,000-square foot facility in Las Vegas.
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OLD LYME, CT — Sennheiser Electronic Corporation has promoted Thom Salisbury to western regional sales manager, professional products.
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LAS VEGAS—The Parnelli Awards Board of Directors announce that Bob Heil, one of pro sound’s most prolific inventors, will be honored with the Parnelli Innovator Award at this year’s Parnelli Awards. The ceremony will be held during the LDI show in Orlando, Fla., at a lavish event staged at the Peabody on November 16.
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QSC's new PowerLight 3 Series amplifiers are designed to bring flexibility to touring and installed sound reinforcement applications and offer a choice of DSP with remote control and monitoring via BASIS or straightforward analog input operation. The three models range in size from 2,500 to 8,000 watts.
Read More »And keeping your standards high
Sound Sanctuary is a unique part of FOH, but it shares a common thread with every column, article and review in this book: We all like working in this business of sound (at least I hope we all do). I have made this rather obvious statement because I will be writing about a subject this month that is at the center of every live sound and install company — the process of bidding a job. Particularly, bidding an installation job whether in a house of worship or any other place, for that matter. (I am not going to talk about live sound bids, even though I do bid shows for various worship houses. Because of what I am currently working on, I will stick to install bids.)
Read More »You can’t just look at the measurements —You gotta know what they mean.
It feels like my perpetual task in life is to get up on my soapbox and dispel myths and tell the truth about getting righteous sound pressure levels to the audience. What I want to do is weave the story of speaker-cabinet dispersion, power handling and sensitivity and attempt to explain why certain “grades” of speaker are pitched to various sound persons at different levels of the business.
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Mat Walter
Sound Tech
Horizon Christian Fellowship
Rancho Santa Fe, CAwww.horizon.org
760.846.0350
mat.walter@gmail.com
I just got a call from a friend in New York. He is a systems engineer & shop manager for a medium size sound company there. He and I share a lot of "war story's" so here is one of his……
He just did a 3 day festival, on the third and final night the opener guest engineer blows the high mid's in the P.A. No not just a couple boxes…..ALL OF THEM! As my friend Willy Jay tells me the story, my butt clenches……… The opener shows up with a nice fx rack, a couple EQs and a couple extra compressors for the left/right. Seem's OK right? So Willy Jay figures the guys got some good gear, and has a good rep in the area so doesn't stand over his shoulder as much as he would with someone he doesn't know.
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X5 HANDHELD CONDENSER VOCAL MIC
By Bill Evans
Any of you who have been reading FOH for a while have probably heard me openly refer to myself as a condenser slut when it comes to mics for vocals. I own a bunch of mics and am probably unusual in that I actually own more vocal condensers than dynamics. A condenser just has that “air” and open feel that it is tough to get from a dynamic, and I generally find that the audio quality of the vocals goes up substantially just by replacing dynamics with condensers.
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NIAGRA FALLS, ONTARIO — One of Canada’s leading luxury casino resorts, Fallsview Casino Resort offers a variety of top-tier entertainment every night in its 1,500-seat Avalon Theatre. Recent performers have included Gretchen Wilson, Donna Summer and Lionel Ritchie. To help provide the best sound quality for the theatre’s patrons, and to better accommodate the tour riders of visiting artists and sound engineers, PA Plus Productions of Toronto installed two Midas Heritage 4000 mixing consoles and Klark Teknik EQ and processing systems at the theatre.
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