Back when I reviewed the TC Electronic M300 Dual Effects Processor, I made it clear that the M300 spelled the end of Yamaha SPX90’s reign as the utility effects processor for instrument effects. Now, TC Electronic has upped the ante with the M350. The latest processor includes 15 new re-verb algorithms and multi-effects. An AU/VST compatible software editor to fully automate parameters and presets for Digital Audio Workstation (DAW) use seals the deal. Having fallen in love with the simplicity and sound quality of the M300 — from my perspective — the M350 has unexpectedly promised and delivered on its goodness.
The Gear
For those not acquainted with the M300 or M350, the front panel tells you all you need to know. The input section has three controls for input gain, mix ratio (dry to wet) and dual effects balance. Two tricolor LEDs cover each input channel. Since the M350 accommo-dates digital S/PDIF inputs, a solid green LED indicates the presence of digital data. A bypass push button and red LED is used for trou-bleshooting and effects.
The Delay/Effects section has three controls for 16 position effect types, delay and feedback controls. A tap tempo momentary push button and yellow LED quickly sets delay times. The Reverb section has a 16-position reverb type control. Pre-delay, decay time and color/filter controls tweak the presets for infinite possibilities.
The heart of the control panel is the two digit numeric display flanked by four buttons: load/store, preset and up and down selections. It allows the user to store 99 presets that can be enabled or disabled by pressing the preset button for either a numeric entry or “dash-dash.” The latter indicates that the front panel control selections are chosen.
The rear panel contains the basics with pairs of TRS phone jacks for inputs and outputs. RCA jacks handle the S/PDIF digital interface with MIDI connections for effects control and upload/downloads. A pedal TS phone jack input allows an alternate footswitch tap tempo function. Beside the IEC power jack, a routing switch can choose parallel or serial positioning. Most gigs will choose serial routing to “verb any delay repeats.”
The Gig
Because of my previous TC Electronic M300 experiences, I de-racked my M300, racked up the M350 and hit the road. In operation, I felt the input section of the M350 outclassed my M300. It did not bang against the red clip indications with typical percussion insert levels. I put the new processor through both percussion and vocal trials during a couple gigs, and I felt the reverbs and effects had modest improvements. However, greater input headroom told me the M350 is a keeper. Looks like I will have to find a personal recording studio owner to purchase my used M300.
What it is: Effects processor
Who it’s for: Anyone who needs quality on a budget.
Pros: Professional headroom, easy to use, excellent algorithms, price.
Cons: Nada for the price.
How much: $249
Web site: www.tcelectronic.com.
