Vienna-based Lewitt Audio expands its microphone line with the MTP W950, a handheld condenser model with excellent feedback suppression and bleed rejection in a roadworthy package.
Featuring a 1” true condenser capsule, the MTP W950 delivers depth and clarity associated with studio recordings, while its controlled output (-41.8 dBV/Pa) helps minimize the pickup of unwanted sound sources even on a loud stage. The mic’s wide 20 – 20k Hz response has a slight rise in the presence range for vocal clarity and small peak at 10k for detail. Off-axis rejection is excellent across the entire frequency range, allowing the capsule to deliver its full sound potential without feedback issues.
To reduce handling noise, the capsule assembly floats in a rugged resilient suspension mount. The front of the capsule has a dual-layer mesh that reduces “P-popping” and protects the capsule from condensation while retaining clarity. This configuration, plus the rugged headcase with foam insert effectively reduces wind and breath noise. Additionally, Lewitt includes an external foam windscreen with the MTP W950 for use in extreme wind situations. Presented as a “cupping-safe” design, the capsule’s large open rear ports allow the microphone to be cupped without any tonal coloration or degradation in off-axis rejection.
The MTP W950’s selectable cardioid and supercardioid polar patterns provide on-stage flexibility. A switchable 120 Hz high-pass filter can be engaged to help reduce unwanted low frequencies or structure induced noise, while a -12 dB pad can be employed to tame exceptionally loud sound sources or screaming vocalists.
Unlike other condenser mics, where the selector switches are in the handle body, Lewitt purposely hides them under the headcase basket. I like this approach, as it presents someone accidentally changing a setting, while keeping gunk and moisture (think sweaty hands) from getting into the switches. But the real benefit for keeping all the electronics within the capsule assembly is the entire capsule can be unscrewed from the handle and attached to a wireless transmitter. The 1.25” x 27-thread mount and concentric ring contacts permits the W9 capsule to work with popular wireless systems including Shure, Audio-Technica, Lectrosonics and Sony. I work with several vocalists who prefer to carry their own mic and this option allows them to go wired or wireless using the venue’s compatible wireless equipment.
The MTP W950 comes in a rigid carry case with foam cutouts for the mic and stand clamp along with a place to keep the external foam windscreen. Although it’s a nice case, I’d rather have a simple padded zipper pouch, as it takes up less room in my mic box.
Initial Checkout
I received my MTP W950 and did an initial talk-out test in my shop. The first thing I noticed is the solid construction. Although it’s slightly heavier than other handheld condensers in my mic locker, the mic feels balanced and comfortable to hold. I liked its distinctive headcase style with the flat-top grill and unlike a rounded top headcase, I believe this style will be less prone to denting if the mic is dropped.
For my talk-out test, I set up a wedge monitor and investigated Lewitt’s claim of 90% rear rejection. In a live sound situation, having consistent rejection across all frequencies is key to minimizing feedback. With the cardioid pattern selected, I set the level on the monitor to right below feedback level, set up a very narrow band on the channel EQ, boosted the gain and swept it across the frequency range. Although the sound changed as expected when I swept, the mic did not feed back.
I noticed the output level on the MTP W950 was slightly lower than other condenser handhelds. One issue with using high-sensitivity condensers on a live stage is picking up undesired sounds in the vocal channel. Lewitt’s controlled output level (-41.8 dBV/Pa) gave me condenser performance even on a crowded stage.
I tried out the supercardioid pattern and experimented with the pad and low-cut filter. Switching patterns did not appear to affect the response on my voice. I like the 120 Hz low-cut point as it can help reduce proximity effect as well as filter undesired mechanical noise pickup from the stage.
Sing a Song — Gigtime
I used the MTP W950 on several gigs with a variety of vocal styles. The first gig was a lounge singer backed by a piano player. With the mic set for cardioid, and the low-pass filter engaged, her vocals had clarity and detail. Even though she was close to the main P.A. speakers (small room), I had no feedback issues.
For the next outing, I used the MTP W950 on an artist who normally carries her own condenser vocal mic. Since she forgot her mic at this gig, it was the opportune time to give the Lewitt a go. For her show, I opted for the flat setting on the low-cut filter as she has a lower range. I didn’t need much EQ on her channel and the vocal stood out nicely in the mix. She thought the MTP W950 sounded similar to her own mic, full, rich and clear. Although we used the wired configuration at this show, she prefers to go wireless. At a venue with a compatible house wireless system, she now can use her own mic. She also preferred the fitted carry case with separate place for the stand clamp to remind her not to leave it behind.
Using the MTP W950 for a male vocalist fronting a loud band, I selected the supercardioid pattern and engaged the -12 dB pad. His vocal cut clearly over the band and the mic’s tight pattern and the controlled output reduced the pickup of stage sound when he was not singing. And, even though he cupped the mic several times, I was not worried.
The Verdict
The mic’s modular configuration and ability to put its capsule on popular wireless transmitters is a plus for vocalists who want to carry their own mic. The MTP W950’s selectable polar patterns help tailor the mic to specific applications and the 120 Hz roll-off tames undesired low frequencies without taking away from the desired vocal response. The mic was easy to dial in on a wide variety of vocalists without the need for extensive channel EQ. With a $799 price (or $649 for the capsule alone), the MTP W950 is not for everyone, but is an excellent choice for the serious artist who can appreciate its versatility and first-class sonic performance.
At a Glance
A Road-Worthy Feedback Fighter
The Lewitt Audio MTP W950 brings studio condenser performance to the live stage with excellent off-axis rejection and feedback control. Along with feedback suppression and bleed rejection, this mic is designed to be rugged enough to withstand a few bumps in the road.
Lewitt Audio MTP W950
PROS
- Excellent off-axis response
- Mic is cuppable
- Capsule detaches to work with wireless transmitters
CONS
- Heavier than other condensers
- Prefer pouch to fitted storage case
STATS
- Type: True Condenser
- Polar Patterns: Cardioid/Supercardioid
- Response: 20-20k Hz
- Sensitivity: -41.8 dBV/Pa
- Self-Noise: 21 dBA
- Max SPL: 140 dB SPL
- Low-Cut: 120 Hz, switchable
- Attenuation: -12 dB, switchable
- Capsule Mount: 1.25-inch/28-thread screw-mount
- Dimensions: 7.2” x 2”
- Weight: 14 ounces
- Prices: MTP W950, $799; W9 capsule only, $649; MTP 50 handle only, $149
Manufacturer: Lewitt Audio
More Info: www.lewitt-audio.com
