Celestion CF1230BMB 12” Driver
Suited to both bass and mid-bass applications, the CF1230BMB 12” ferrite magnet, cast-aluminum speaker offers a longer throw than conventional mid-bass speakers for more low-end when used in two-way enclosures or compact subwoofers. Features include an elastomer surround, 3” copper-clad aluminum voice coil, 700W continuous power rating, 96dB sensitivity and a 50 Hz – 3,000 Hz output frequency. A smart airflow vented magnet assembly minimizes power compression and its modified T-pole magnet assembly enhances performance via improved Bl symmetry, hence lower distortion.
Cohesion Expands CF Fill Speaker Line
At 13.5×5.4×4” and 7.5 pounds, Cohesion‘s CF24 can be installed flush in the depth of a wall or the height of a stair riser. With two 4” cone drivers and a 1.4” diaphragm comp driver, this passive speaker can be tucked around trusses, railings and stair treads, or mic stand / yoke mounted, as a front or under-balcony fill or in a distributed system. The 46-pound 3-way CF28 has two 8” woofers, 3” MF driver and 2” voice coil HF on a central, rotatable horn in a 24×9.75×13.75” enclosure capable of 142 dB max SPLs, for use as a fill or standalone P.A.
Lawo Shipping VSC for macOS Sonoma
Lawo’s Virtual Sound Card (VSC) for macOS 14 (Sonoma) and later is a versatile virtual audio device enabling seamless integration of Apple desktops and laptops into RAVENNA/AES67 AoIP networks. Users can choose between a free and a licensed version of Lawo VSC with enhanced features. Running as a background service, Lawo VSC converts local audio into RAVENNA/AES67 streams, fully compliant with open AoIP standards, with the licensed VSC version supporting up to 128 audio devices, 128 senders and receivers and sampling rates up to 96kHz.
LD Systems ANNY Series
The ANNY series — ANNY 10 (10‘’ woofer + 1‘’ tweeter); ANNY 8 (8‘’ woofer + 1‘’ tweeter) — are battery powered P.A. systems with integrated digital mixers, effects and optional wireless mic systems. The ANNY 8 operates up to 11 hours (in ECO mode); supports Bluetooth 5.0 for True Wireless Stereo (TWS) and true stereo grey. The ANNY 10 has integrated casters and an extendable telescopic handle, and an increased battery life up to 25 hours (in ECO mode) or 5 hours at max volume.
Sennheiser Spectera
The wideband, bidirectional, digital wireless Spectera ecosystem uses WMAS (Wireless Multichannel Audio Systems) technology, offering low-latency bidirectional bodypacks handling both digital IEM and mic/line signals at the same time. Instead of many individual 200 kHz narrowband RF carrier frequencies, WMAS uses a single wideband RF channel for bidirectional audio transmission. The single-rack 32 input / 32 output Base Station replaces a rack full of wireless mic receivers and IEM transmitters, accommodating an entire production in a single wideband RF channel (6 or 8 MHz).
Shure Axient Digital PSM Wireless IEM System
The Axient Digital PSM digital wireless IEM uses WMAS technology for low-latency, with support of both analog and digital input formats, including AES3, Dante, AES67 and AES256 encryption for secure transmission. Single-rack transmitters include the ADTQ Quad Transmitter and ADTD Dual Transmitter, supporting up to 28 channels per 6 MHz band in wideband or 17 channels in higher-power narrowband.
Shure Wireless Workbench and Showlink ecosystem support offers monitor engineers comprehensive remote management of every bodypack receiver on stage. Deliveries begin in early 2025.
Telefunken Capsules for Sennheiser Wireless
Designed to mate with Sennheiser transmitters, the M80-WH2 and M81-WH2 wireless capsule heads offer the same sonic characteristics as Telefunken’s M80 and M81 dynamic microphones. Featuring the same low-mass diaphragm and custom-wound output transformer as the handheld and low-profile versions, the M80-WH2 and M81-WH2 provide the sound quality and reliability one expects from Telefunken’s Dynamic Series microphones.
TiMax panLab
Designed to take spatialized audio designs further in both entry-level and large-scale systems, the beta version of the new TiMax panLab application offers enhanced spatial pan programming and live Cue management for shows and systems mapped and rendered in the TiMax SoundHub spatial processor. Via drag and drop, users can create complex 3D spatial audio environments with ease Optional software licenses are included to output to QLab, mixing consoles (including DiGiCo, Yamaha, Midas, Behringer and Q-Sys), processors and TiMax SoundHub — depending on user requirements.
www.timaxspatial.com
Ultimate Support Venue Series Boom Stand
Designed based on feedback from venues, production companies, retailers and distributors, the VMC-T-T Venue Series Production Boom Stand brings Ultimate Support quality and features to a more standardized boom stand for stage and studio. Classic barbell style control provides torque when adjusting the 18.75 – 31.25″ boom, while the lightweight boom handle offers the perfect grip for on the fly positioning. The stand folds down to 38.25″ x 3.5″.
Waves eMotion LV1 Classic
Waves’ first integrated live console combines its LV1 mix engine with live engineers’ preferred hardware workflows. It features 64 stereo channels, 44 buses, Waves’ Double Precision 32-bit floating-point mix engine, built-in Waves processing, 21” touchscreen, 17 physical 100mm faders, innovative UX, and seamless integration to the entire Waves plug-in catalog. The console’s scalability lets users expand I/O, DSP and more as needed. The lightweight 38-pound unit is ideal for fly dates. The 16 onboard preamps can be expanded via Waves’ IONIC stageboxes.
