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Mid-Sized Digital Consoles

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Bring on the revolution! Ideal for install or portable applications, here’s a snapshot look at some digital consoles capable of 32 or more channels and 24 or more onboard preamps, while having a fairly compact footprint and — at under 60 pounds each — could be moved by an average person. In terms of size, portability is an obvious asset; however, in theater and small venue applications, where seating real estate is at a premium, the console’s physical size becomes a major consideration.

Meanwhile, the feature set of the typical mid-sized console has expanded exponentially over the years. When you add in integrated digital recording capability — typically with support of virtual sound checking — along with other perks, such as expandable DSP/effects, Wi-Fi tablet-based remote control, digital snaking options, touch screen control, moving faders, onboard automation and session recall, these powerhouses offer a cost-to-features ratio that would have been unimaginable (or certainly unattainable) just a decade ago.

These feature major leaps in channel counts, onboard DSP, sonic performance, improved preamps, increased flexibility/versatility — and affordable pricing, so other than size and weight, there’s nothing “small” about any of the consoles profiled here. Sometimes, technology can be a wonderful thing.

Allen & Heath SQ-7

  • Input Channels/Local Pre’s: 48/32
  • Max Sampling Rate: 96 kHz
  • Faders: 33
  • Onboard I/O: 32 XLR in/16 XLR out; AES out
  • Remote I/O: DX168; DT168, AR2412, AB168; DX164-W, DT-164W
  • Other Frame Sizes: SQ-6, SQ-5
  • Network Interfacing: Dante, SQ Link and Waves expansion cards
  • Footprint/Weight: 32 x 20”; 48 pounds
  • Notes: 32×32 USB interface; optional ME Personal Mixing

www.allen-heath.com

DiGiCo S31

  • Input Channels/Local Pre’s: 48/24
  • Max Sampling Rate: 96 kHz
  • Faders: 31 faders
  • Onboard I/O: 24 XLR in; 12 XLR out; AES in/out
  • Remote I/O: D-Rack, D2-Rack, STAGE 48, Dante STAGE 48, A168 STAGE, A168D STAGE
  • Other Frame Sizes: S21
  • Network Interfacing: MADI, Dante, Waves, KLANG, AES, USB, Ethernet
  • Footprint/Weight: 40 x 23”; 55 pounds
  • Notes: (3) 10” multi-touch screens, (2) DMI expansion slots (up to 64 I/O per slot)

www.digico.biz

Midas M32 LIVE

  • Input Channels/Local Pre’s: 40/32
  • Max Sampling Rate: 192 kHz
  • Faders: 25
  • Onboard I/O: 32 XLR in; 16 XLR out, AES out
  • Remote I/O: DL16 stagebox
  • Other Frame Sizes: M32R LIVE
  • Network Interfacing: AES50, SuperMAC, USB, MADI/Dante optional
  • Footprint/Weight: 35×24”, 55 pounds
  • Notes: Optional P16 Personal Monitor Mixers

www.midasconsoles.com

PreSonus StudioLive 64S

  • Input Channels/Local Pre’s: 76/32
  • Max Sampling Rate: 48 kHz
  • Faders: 33 faders
  • Onboard I/O: 32 XLR in/19 XLR out + AES
  • Remote I/O: NSB 32-16, NSB 16.8, NSB 8.8
  • Other Frame Sizes: StudioLive 32S
  • Network Interfacing: AVB, Dante optional
  • Footprint/Weight: 32.4 x 23”; 37.2 pounds
  • Notes: Optional EarMix 16M personal monitor mixers

www.presonus.com

QSC TouchMix-30 PRO

  • Input Channels/Local Pre’s: 32/24
  • Max Sampling Rate: 48 kHz
  • Faders: Virtual on touch screen
  • Onboard I/O: 24 XLR ins, 6 TRS ins; 18 TRS bus outs
  • Remote I/O: No stageboxes offered
  • Other Frame Sizes: TouchMix-16 PRO
  • Network Interfacing: USB, Ethernet routing to TouchMix Control App
  • Footprint/Weight: 18 x 17”; 17.5 pounds
  • Notes: Direct multi-track capture/playback; optional tablet stand

www.qsc.com

 

Soundcraft Si Expression 3

  • Input Channels/Local Pre’s: 32/32
  • Max Sampling Rate: 48 kHz
  • Faders: 34 faders
  • Onboard I/O: 32 XLR in/16 XLR out, AES I/O
  • Remote I/O: Mini Stagebox 32i/16i
  • Other Frame Sizes: Si Expression 2, Si Expression 1
  • Network Interfacing: AES, Dante, Aviom, MADI optional
  • Footprint/Weight: 29.5 x 20”; 44 pounds
  • Notes: FaderGlow for ease of navigation

www.soundcraft.com

TASCAM Sonicview 24XP

  • Input Channels/Local Pre’s: 44/24
  • Max Sampling Rate: 96kHz
  • Faders: 25 faders
  • Onboard I/O: 24 XLR in/16 XLR out, AES I/O
  • Remote I/O: SB-16D 16×16 Dante stagebox
  • Other Frame Sizes: Sonicview 16XP
  • Network Interfacing: Optional 64×64 MADI, 64×64 Dante
  • Footprint/Weight: 27 x 22”, 39.7 pounds
  • Notes: 32-track integrated recorder; 32×32 USB

www.tascam.com

 

Yamaha TF5

  • Input Channels/Local Pre’s: 48/32
  • Max Sampling Rate: 48 kHz
  • Faders: 33 faders
  • Onboard I/O: 32 XLR in/16 XLR out
  • Remote I/O: Rio3224-D, Rio1608-D
  • Other Frame Sizes: TF3; TF1
  • Network Interfacing: Dante, USB
  • Footprint/Weight: 34 x 23.6”; 44 pounds
  • Notes: TouchFlow operation; Dan Dugan Speech processing

http://usa.yamaha.com/products/proaudio