Sound Co
Firehouse Productions
Venue
Various (Tour)
Crew
FOH Engineer: Brett Orrison
Systems Engineer: Taylor Nyquist
Monitor Engineer: Marcel Cacdac
Monitor Tech: Rob Gil
Production Manager: Kit Blanchard
Tour Manager: Lalo Medina
System Techs: Adam Bannister, Tyler Clapp, Peter Smith
Gear
FOH
Console: Midas XL4
Speakers: Mains: 12 d&b audiotechnik J8 over 4 J12s per side. Side Hangs: 12 J8s per side. Subs: 18 d&b J-Subs (9 stacks of two in a sub arc). Front Fills: 8 Y10P’s, VIP: 2 T10’s
Amps: 44 d&B D80s
System Processing: (2) Lake LM44, d&b R1. FOH Nearfields: (2) Genelec 8050A. Outboard: Universal Audio 1176, (2) Neve P2MB Portico II Master Buss, (2) Drawmer DL241, (2) Drawmer DL441, (2) Neve 5035 Shelford Channel, AMS Neve 33609, Demeter RV1 Spring Reverb, Yamaha SPX2000, TC Electronic 2290, GML 8200, Avalon 737sp, Focusrite Octopre Mkii, (2) UBK Fatso, (9) Rupert Neve 5043V Duo, (2) Alan Smart C1, Fulltone Tape Echo, Roland RE101 Space Echo, Bricasti M7. Measurement System: iSEMcon EMX 7150 mic, Lectrosonics R400A wireless, Sound Devices USBPre2 Preamp. Record/Virtual Soundcheck: Focusrite RedNet AD/DA and Additional Preamps for Ambient Mics, Redundant Mac Mini’s on Dante A and B.
Power Distro: Motion Labs
Breakout Assemblies: Whirlwind
Snake Assemblies: Whirlwind 4/W2.
Drive: HMA Fiber over Optocore
Rigging: CM Hoists, d&b Delta Plate
MON
Monitor Console: Midas H3000
Monitor Speakers: 20 d&b M2’s, 2 B6
MON Processing: Outboard: Avalon 737sp (for vocal distortion), Yamaha SPX 900, TC Electronic D2 Delay, Lexicon PCM70, Lexicon PCM 96, (2) Meyer CP-10 Parametric EQ, (16 channels) BSS FCS 960, (2) BSS DPR-901 II comps, (2) Drawmer DL251 comps, (4 channels) dbx 160A comps, (4) Empirical Labs EL-8 Distressors, (2) BSS DPR-404 comps, (4) Drawmer DS404 gates, (2) Little Labs IBP Jr.
Mics: Shure: Beta 91A, SM57, SM58, Audix: D6, OM-7, Sennheiser: e604, Neumann: KM84, Coles: 4038, AKG: 414 TLII, Rupert Neve: RNDI, Beyerdynamic: M88, Helpinstill Pickup, sE Electronics V7, AEA R88 Stereo Ribbon
